Everything about capturing, tagging, exchanging, and studying film. These are reference pages, updated in place rather than reposted, and none of them are football-only by accident.
Every film platform stores a play as a row of columns. What each one means, what Hudl and QwikCut call it, and which six are worth tagging first.
FilmingYour shutter wants to be at 1/120. On a camcorder you set it directly; on a phone you cannot, so you shoot 60fps to stop the camera going slower. Settings for both, how to tell whether your lights flicker at all, and what to look for if you are buying.
FilmingFilming games seems straightforward until game day arrives and nobody has been assigned to film. How to recruit a camera person, what to hand them, and how footage gets from the tripod to your players.
WorkflowGetting film from the final whistle to your players' screens has more steps than it looks like, and each one is a place the week stalls. Formats, transfer, storage, and sharing, in order.
WorkflowMost coaches are not paid to watch film. A game week that works is one where information flows from Friday night to Monday practice without anybody staying up to make it happen.